{"id":450467,"date":"2026-02-03T17:45:17","date_gmt":"2026-02-03T16:45:17","guid":{"rendered":"https:\/\/www.omnium.cat\/?p=450467"},"modified":"2026-02-03T17:45:26","modified_gmt":"2026-02-03T16:45:26","slug":"tics-poetics-de-febrer","status":"publish","type":"post","link":"https:\/\/www.omnium.cat\/ca\/tics-poetics-de-febrer\/","title":{"rendered":"Tics po\u00e8tics de febrer"},"content":{"rendered":"\n

La poesia \u00e9s una finestra oberta a l\u2019art, a la creativitat, a la imaginaci\u00f3 i a la sensibilitat. La\u00a0paraula po\u00e8tica\u00a0ens facilita una alenada d\u2019aire fresc i una nota de color que volem fer arribar a tothom que vulgui sentir el plaer de llegir, de mirar, de pensar. \u00a0
Cada mes en triem quatre i us els oferim acompanyats del poema sencer i la biografia dels seus autors. Aquest mes de febrer: Conte contat…<\/em><\/strong>\u00a0 Gaudiu-ne!<\/p>\n

\u00a0<\/p>\n

“…per veure-li les dents i les orelles\u00a0
al llop eternament insatisfet…”<\/h3>\n

Tornar \u00e9s lluny<\/span><\/p>\n

“s\u00f3c l’\u00e0via, i espero el llop\u00a0
potser tamb\u00e9 la meva n\u00e9ta\u00a0
si no s’encanta pel cam\u00ed”\u00a0
s\u00f3n durs els contes\u00a0
roseguen el dolor quan cuinen innoc\u00e8ncia\u00a0
s\u00f3n fets per espantar, no per somriure.\u00a0
m’agraden\u00a0
resolen vespres escap\u00e7ats\u00a0
al bosc esp\u00e8s dels dies massa llargs.\u00a0
i vull que m’acompanyin fins a l’\u00faltima lletra\u00a0
per veure-li les dents i les orelles\u00a0
al llop eternament insatisfet.\u00a0
i saber que he fet b\u00e9 d’entretenir-me,\u00a0
badoc de flors i ocells.\u00a0
no cal tenir cap pressa,\u00a0
som v\u00edctima i botx\u00ed en el bosc dels contes\u00a0<\/p>\n

Francesc Garriga i Barata<\/strong>\u00a0va n\u00e9ixer a Sabadell el 1932 i va morir el 2015 a Sant Cugat del Vall\u00e8s. Mestre de poetes, amb un estil personal\u00edssim, sense ornaments formals, cerca obsessivament arribar a l\u2019ess\u00e8ncia del poema. A m\u00e9s d\u2019ajudar a surar noves veus i mons creatius, ens ha fet present el seu m\u00f3n a trav\u00e9s de la r\u00e0dio i la televisi\u00f3 durant molts anys.\u00a0
Ha dirigit la revista d\u2019art FMR i ha viscut envoltat de bellesa i gats.
Ha seguit una traject\u00f2ria molt coherent, tot i d\u00e8cades de sequera liter\u00e0ria. Entre els \u00faltims t\u00edtols es troben: Ombres (2000), Temps en blanc (2003), La nit dels peixos (2005), Camins de serp (2009), Ragtime (Premi Cavall Verd 2012) i Tornar \u00e9s lluny (Premi Carles Riba 2013). El 2014 va aplegar una selecci\u00f3 pr\u00f2pia de tots els llibres a Dem\u00e0 no \u00e9s mai i encara public\u00e0 Swing (2015), just al final de la seva vida.<\/p>\n

La seva obra\u00a0po\u00e8tica completa s\u2019aplega a Cosmonauta (2017). Potser un dels trets formals m\u00e9s identificadors de Garriga \u00e9s l\u2019\u00fas de les min\u00fascules, fins i tot en els noms propis. Aquesta singularitat, portada a l\u2019extrem a Cosmonauta, fa que nom\u00e9s concedeixi una excepci\u00f3. \u00c9s en un vers del llibre Ragtime, on apareix la paraula \u00abD\u00e9u\u00bb en un autoretrat personal i\u00a0po\u00e8tic.<\/p>\n

\u00a0<\/p>\n

“…Carregueu-me b\u00e9 la pila\u00a0
que he de fer molta claror,…”<\/span><\/h3>\n

Cuca de llum<\/span><\/p>\n

Carregueu-me b\u00e9 la pila\u00a0
que he de fer molta claror,\u00a0
asseguda en branquill\u00f3\u00a0
que \u00e9s cosa que molt s’estila.<\/p>\n

Ja ve la fosca i, tot d’una,\u00a0
encenc el meu fanal verd,\u00a0
instal\u00b7lada prop d’un gerd\u00a0
per engelosir la lluna.<\/p>\n

S\u00f3c un estel de la terra;\u00a0
si m\u00e0 incivil em desterra\u00a0
i em reclou dintre d’un got,<\/p>\n

m’apagar\u00e9 de seguida,\u00a0
i que la m\u00e0 entossudida\u00a0
em torni a encendre si pot.<\/p>\n

Merc\u00e8 Rodoreda i Gurgu\u00ed\u00a0<\/strong>(Barcelona 1908-1983. \u00c9s coneguda sobretot com a novel\u00b7lista i contista, per\u00f2 escriu tamb\u00e9 unes quantes obres dram\u00e0tiques i poesia l\u00edrica. Tria la literatura com una alternativa d’evasi\u00f3 de l’entorn clos i decebedor que va patir. Inicia aix\u00ed una carrera de gran regularitat i de perfeccionament progressiu. Aquests s\u00f3n anys de molta activitat, durant els quals l’escriptora treballa al Comissariat de Propaganda de la Generalitat de Catalunya i \u00e9s membre activa de la Instituci\u00f3 de les Lletres Catalanes.\u00a0
El 21 de gener de 1939 empr\u00e8n el cam\u00ed de l’exili on l’autora enceta una intensa i complicada relaci\u00f3 sentimental amb Armand Obiols.
L’any 1946 comen\u00e7a a escriure poesia l\u00edrica i trenca el seu silenci de vint anys amb\u00a0Vint-i-dos contes\u00a0(1958), que obtindr\u00e0 el premi V\u00edctor Catal\u00e0 1957, i que l’esperona a redactar, gaireb\u00e9 alhora, les novel\u00b7les\u00a0Jard\u00ed vora el mar,\u00a0La pla\u00e7a del Diamant\u00a0i\u00a0La mort i la primavera.
L’any 1966, li atorguen, finalment, el premi Sant Jordi per\u00a0El carrer de les Cam\u00e8lies.
Des de 1998 es convoca el Premi Merc\u00e8 Rodoreda de contes i narracions, en homenatge a l’autora. El conjunt de la seva obra es continua reeditant i traduint constantment.<\/p>\n

\u00a0<\/p>\n

“…Topa de morro en l’esmolada pica\u00a0
i recula afrontada… Per\u00f2 torna…”<\/h3>\n

La vaca cega<\/span><\/p>\n

Topant de cap en una i altra soca,\u00a0
avan\u00e7ant d’esma pel cam\u00ed de l’aigua,\u00a0
se’n ve la vaca tota sola. \u00c9s cega.\u00a0
D’un cop de roc llan\u00e7at amb mala tra\u00e7a\u00a0
el vailet va buidar-li un ull, i en l’altre\u00a0
se li ha posat un tel. La vaca \u00e9s cega.\u00a0
Ve a abeurar-se a la font com ans solia;\u00a0
mes no amb el ferm posat d’altres vegades\u00a0
ni amb ses companyes, no: ve tota sola.\u00a0
Ses companyes, pels cingles, per les comes,\u00a0
pel silenci dels prats i en la ribera,\u00a0
fan dringar l’esquellot mentre pasturen\u00a0
l’herba fresca a l’atzar… Ella cauria.\u00a0
Topa de morro en l’esmolada pica\u00a0
i recula afrontada… Per\u00f2 torna\u00a0
i abaixa el cap a l’aigua i beu calmosa.\u00a0
Beu poc, sens gaire set… Despr\u00e9s aixeca\u00a0
al cel, enorme, l’embanyada testa\u00a0
amb un gran gesto tr\u00e0gic; parpelleja\u00a0
damunt les mortes nines, i se’n torna\u00a0
orfe de llum, sota del sol que crema,\u00a0
vacil.lant pels camins inoblidables,\u00a0
brandant ll\u00e0nguidament la llarga cua.\u00a0<\/p>\n

Joan Maragall\u00a0<\/strong>va n\u00e9ixer a Barcelona el 1860 i va morir el 1911. Fou poeta i escriptor catal\u00e0, figura cabdal dins la poesia modernista del canvi de segle XIX al XX.\u00a0 Maragall estava for\u00e7a implicat en els cercles intel\u00b7lectuals i culturals del moment i, tot i que no tenia cap vinculaci\u00f3 pol\u00edtica, va fer servir els seus escrits per a denunciar situacions d\u2019injust\u00edcia. \u00a0 Va ser un personatge amb m\u00faltiples contactes, amb els quals mantenia una extensa correspond\u00e8ncia d’un inter\u00e8s que supera de molt el fet purament anecd\u00f2tic\u00a0o biogr\u00e0fic.<\/p>\n

La tem\u00e0tica de l’obra de Joan Maragall \u00e9s molt diversa. Tots els motius eterns de la poesia hi s\u00f3n presents: l’amor, la natura, el cant a la seva terra i a la seva ciutat, llegendes i herois de Catalunya, els elements espirituals; els temes sempre s\u00f3n tractats amb un lirisme directe i primari, expressiu i sincer. La seva poesia passa per diverses etapes per\u00f2 sempre influ\u00efda per dos corrents: el vitalisme, d’arrel\u00a0nietzscheana, i el decadentisme.<\/p>\n

La seva activitat com a traductor el port\u00e0 a aprofundir en el coneixement de les lleng\u00fces, a enamorar-se dels originals i eixamplar cada dia m\u00e9s el camp de la seva visi\u00f3. Autors com Ruskin, Schopenhauer, Carlyle, Nietzsche i Novalis els va interioritzar profundament. Novalis, per\u00f2, m\u00e9s que cap altre.<\/p>\n

\u00a0<\/p>\n

“…com Ulisses navegaves
a l’espera d’un retorn impossible…”<\/h3>\n

Vora l\u2019illa roja<\/span> \u00a0\u00a0\u00a0 \u00a0 \u00a0<\/p>\n

Vora l’illa roja
com Ulisses navegaves
a l’espera d’un retorn impossible.<\/p>\n

Ara l’illa no hi \u00e9s,
\u00e9s un istme que
s’endinsa en el mar.<\/p>\n

I del teu somni ven\u00e7ut
sols en quedem
tu i jo a la deriva.<\/p>\n

Montserrat Abell\u00f3 i Soler<\/strong>,\u00a0nascuda a Tarragona l\u20191 de febrer de 1918, va morir a Barcelona el 9 de setembre de 2014.\u00a0 Fou una poeta i traductora. Va traduir poetes anglosaxones com Sylvia Plath. Guardonada amb el Premi d\u2019Honor de les Lletres Catalanes i el Premi Nacional de Cultura. El 26 de gener de 2018, es va inaugurar la biblioteca de Les Corts que duu el seu nom, escollit per la Taula de Dones de Les Corts per commemorar el centenari del seu naixement.<\/p>\n

El 1936 va ser professora d\u2019angl\u00e8s a Val\u00e8ncia, per\u00f2 el 1939, es va haver d\u2019exiliar a Fran\u00e7a i tamb\u00e9 al Regne Unit, on va desenvolupar tasques d\u2019ajut als refugiats; \u00a0a Xile, on treball\u00e0 a l\u2019empresa del seu pare a Valpara\u00edso i, posteriorment, com a professora d\u2019angl\u00e8s a l\u2019Escola Su\u00efssa de Santiago de Xile.<\/p>\n","protected":false},"excerpt":{"rendered":"

La poesia \u00e9s una finestra oberta a l\u2019art, a la creativitat, a la imaginaci\u00f3 i a la sensibilitat. La\u00a0paraula po\u00e8tica\u00a0ens facilita una alenada d\u2019aire fresc i una nota de color […]<\/p>\n","protected":false},"author":279,"featured_media":450468,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"post_headquarter":[1778],"post_project":[],"class_list":["post-450467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-ca","post_headquarter-barcelona-eixample"],"acf":[],"yoast_head":"\nTics po\u00e8tics de febrer - \u00d2mnium Cultural<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.omnium.cat\/ca\/tics-poetics-de-febrer\/\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"In\u00e9s Iturralde\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.omnium.cat\/ca\/tics-poetics-de-febrer\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.omnium.cat\/ca\/tics-poetics-de-febrer\/\"},\"author\":{\"name\":\"In\u00e9s Iturralde\",\"@id\":\"https:\/\/www.omnium.cat\/ca\/#\/schema\/person\/3982c87a62fab6eccef52e0624f76453\"},\"headline\":\"Tics po\u00e8tics de febrer\",\"datePublished\":\"2026-02-03T16:45:17+00:00\",\"dateModified\":\"2026-02-03T16:45:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.omnium.cat\/ca\/tics-poetics-de-febrer\/\"},\"wordCount\":1354,\"publisher\":{\"@id\":\"https:\/\/www.omnium.cat\/ca\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.omnium.cat\/ca\/tics-poetics-de-febrer\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/cdn.omnium.cat\/wp-content\/uploads\/2026\/02\/03174443\/Tics-poetics-mensuals-11-scaled.png\",\"articleSection\":[\"Uncategorized @oc\"],\"inLanguage\":\"ca\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.omnium.cat\/ca\/tics-poetics-de-febrer\/\",\"url\":\"https:\/\/www.omnium.cat\/ca\/tics-poetics-de-febrer\/\",\"name\":\"Tics po\u00e8tics de febrer - 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